Tuesday, July 22, 2014

Thomas Berger, ‘Little Big Man’ Author

Thomas Berger, the reclusive and bitingly satirical novelist who explored the myths of the American West in “Little Big Man” and the mores of 20th-century middle-class society in a shelf of other well-received books, died on July 13 in Nyack, N.Y. He was 89.
His agent, Cristina Concepcion, said she learned of his death, at Nyack Hospital, on Monday. Mr. Berger lived in Grand View, a village in Rockland County, N.Y., where he had remained fiercely protective of his privacy.
Mr. Berger fell into that category of novelists whose work is admired by critics, devoured by devoted readers and even assigned in modern American literature classes but who owe much of their popularity to Hollywood. “Little Big Man,” published in 1964, is widely known for Arthur Penn’s film adaptation, released in 1970, starring Dustin Hoffman as the protagonist, Jack Crabb.
The novel, told in Crabb’s voice at the age of 111, recounts his life on the Great Plains as an adopted Cheyenne and makes the claim that he was the only white survivor of the Battle of the Little Bighorn. But Mr. Berger’s body of work was far broader than that, and it earned him a reputation as an American original, if an underrecognized one. The author and scholar Thomas R. Edwards, writing in The New York Times Book Review in 1980, called him “one of our most intelligent, witty and independent-minded writers.” “Our failure to read and discuss him,” Mr. Edwards added, “is a national disgrace.”
Photo
Dustin Hoffman in “Little Big Man” (1970), based on Mr. Berger’s novel about a survivor of the Battle of the Little Bighorn. Credit MPI, via Getty Images
To many critics, “Little Big Man” was Mr. Berger’s best novel and a worthy addition to the American canon. (The Dial Press plans a 50th-anniversary trade paperback edition this year.) “Few creative works of post-Civil War America have had as much fiber and blood of the national experience in them,” the historian and novelist Frederick Turner wrote in The Nation in 1977.
Brooks Landon, Mr. Berger’s biographer, placed “Little Big Man” in a tradition of American frontier literature begun by James Fenimore Cooper. Henry Miller heard echoes of Mark Twain in it.

No comments:

Post a Comment