Showing posts with label New Orleans. Show all posts
Showing posts with label New Orleans. Show all posts

Thursday, March 18, 2010

Box Tops hit "The Letter"

This obituary appeared in the Commercial Appeal, Memphis, Tennessee

Memphis music loses ‘Big Star’ — singer, songwriter Alex Chilton dies at 59

Alex Chilton, the pop hitmaker, cult icon and Memphis rock iconoclast best known as a member of 1960s pop-soul act the Box Tops and the 1970s power-pop act Big Star, died Wednesday at a hospital in New Orleans. The singer, songwriter and guitarist was 59.


"I'm crushed. We're all just crushed," said John Fry, owner of Memphis' Ardent Studios and a longtime friend of Chilton's. "This sudden death experience is never something that you're prepared for. And yet it occurs."

Photo by The Commercial Appeal files.Alex Chilton in an undated early photograph. For nearly a decade starting in 1962, American Sound Studios in Memphis churned out hit after hit: including The Letter and Cry Like a Baby by the Box Tops (with a young Alex Chilton). By the 1980's, Chilton and Big Star, would foster a generation of rock bands. Chilton died Wednesday, March 17, 2010, in New Orleans.

Chilton had been complaining about his health earlier Wednesday, Fry said. He was taken by paramedics from his home to the emergency room but could not be revived. Chilton and Big Star had been scheduled to play Saturday as part of the South by Southwest festival in Austin, Texas. The band was also scheduled to play at the Levitt Shell in Memphis on May 15. It's unknown what will happen to those shows.


The Memphis-born Chilton rose to prominence at age 16 when his gruff vocals powered the massive Box Tops hit "The Letter," as well as "Cry Like a Baby" and "Neon Rainbow."

I loved those songs, especially Letter.

After the Box Tops broke up in 1970, Chilton had a brief solo run in New York before returning to Memphis. He soon joined forces with a group of Anglo-pop-obsessed musicians -- fellow songwriter/guitarist Chris Bell, bassist Andy Hummel and drummer Jody Stephens -- to form Big Star.

Alex Chilton leads a reunited Big Star on Oct. 29, 1994, at the New Daisy Theatre for its first Memphis concert in more than 20 years. Two nights later, Big Star performed on 'The Tonight Show with Jay Leno.'

Photo by Karen Pulfer Focht

The group became the flagship act for Ardent's Stax-distributed label. Big Star's 1972 debut album, #1 Record, met with critical acclaim but poor sales. The group briefly disbanded, but reunited without Bell to record the album Radio City. Released in 1974, the second album suffered a similar fate, plagued by Stax's distribution woes. The group made one more album, Third/Sister Lovers, with just Chilton and Stephens -- and it, too, was a minor masterpiece. Darker and more complex than the band's previous pop-oriented material, it remained unreleased for several years.


In 2003, Rolling Stone magazine named all three Big Star albums to its list of the 500 Greatest Albums of All Time. "It's a fork in the road that a lot of different bands stemmed from," said Jeff Powell, a respected local producer who worked on some of Chilton's records. "If you're drawing a family tree of American music, they're definitely a branch."

In the mid-'70s, Chilton began what would be a polarizing solo career, releasing several albums of material, including 1979's Like Flies on Sherbet -- a strange, chaotically recorded mix of originals and obscure covers that divided fans and critics. Chilton also began performing with local roots-punk deconstructionists the Panther Burns. In the early '80s, Chilton left Memphis for New Orleans, where he worked a variety of jobs and stopped performing for several years. But interest in his music from a new generation of alternative bands, including the Replacements and R.E.M., brought him back to the stage in the mid-'80s. He continued to record and tour as a solo act throughout the decade. Finally, in the early '90s, the underground cult based around Big Star had become so huge that the group was enticed to reunite with a reconfigured lineup. The band, featuring original member Stephens plus Jon Auer and Ken Stringfellow of the Posies, continued to perform regularly over the next 16 years. Big Star became the subject of various articles, books and CD reissue campaigns, including the September 2009 release of the widely hailed box set, Keep an Eye on the Sky.

"I played with Alex for eight or 10 years regularly, and he was one of the best musicians I ever knew," said Doug Garrison. "That's what really locked the first time I played with him, this feel on the guitar. He just played flawlessly. He had a limited technique, but he did what he did really well." Chilton was often described as "mercurial," but those who knew him well described a man with a keen sense of humor, a tremendous musician and a generous friend. "He was the only person on a record I've ever worked with where you'd come up with a horn arrangement, and he'd say, 'Look, I'm going to make you guys a co-writer on the song now,'" said Jim Spake, who played sax on the most recent Big Star record.

Chilton is survived by his wife, Laura, a son, Timothy, and a sister, Cecilia.

"When some people pass, you say it was the end of an era. In this case, it's really true," said Van Duren, a fellow Memphis musician who knew Chilton for decades. "It puts an end to the Big Star thing, and that's a very sad thing."

-- Bob Mehr: 529-2517
-- Jody Callahan: 529-6531

Alex Chilton, 1950-2010
— Born December 28, 1950, in Memphis
— Was the lead singer for the Box Tops in the 1960s; recorded "The Letter," which hit No. 1 on the pop charts
— Formed Big Star in 1971 with guitarist/singer Chris Bell, bassist Andy Hummel and drummer Jody Stephens
— Big Star put out two albums -- #1 Record and Radio City
— Group broke up in 1975 while working on a third album, which was eventually released overseas called Third/Sister Lovers
— Moved to New Orleans in early 1980s and released some solo albums on Ardent label
— Reunited with Big Star in the mid-1990s
— Rhino Records released a four-disc, 98-song retrospective in September 2009 called Keep an Eye on the Sky
— Band had been scheduled to launch the spring 2010 season at the Levitt Shell at Overton Park with a benefit concert on May 15

* By Jody Callahan, Bob Mehr
* Posted March 17, 2010 at 7:31 p.m. , updated March 17, 2010 at 11:29 p.m.

Wednesday, February 24, 2010

Bob Strickland, shortstop

George Strickland remains part of baseball's historic era
By Peter Finney, Times-Picayune
February 24, 2010, 6:00AM


George Strickland played on the Cleveland Indians' 1954 team, which won a record 111 games."


My last interview with George Strickland was in autumn 2007, a time his son was bemoaning the 0-4 start of his favorite football team, a franchise now celebrating a Super Bowl championship.

Son, it took the Saints a month to lose four games," said dad. "Remember, I was on a team that did a lot worse. We lost four games in four days."

It was vintage "Bo" Strickland, who passed away this week at age 84. He had a way of putting things in perspective, telling stories that left you laughing to the very end.

Before I asked a question at that October meeting in '07, Bo already was laughing. "It's World Series time, so I guess you want to keep talking about 1954," he said. "You laugh, and I'll cry."

The guy who grew up playing shortstop at S.J. Peters High School, then wound up playing shortstop for the Cleveland Indians, was part of a piece of baseball history at a time history was being written in capital letters.
Not by the Cleveland Indians. By the New York Yankees. When the Indians showed up to play the New York Giants in the '54 Series, they had snapped a record run of five consecutive world championships by a Yankees dynasty managed by Casey Stengel.

During this golden stretch, in 1951, Joe DiMaggio played in his final World Series and Mickey Mantle in his first. After their fall from grace in '54, the Yankees returned to play in nine of the next 10 World Series, winning four, baseball's most dominant stretch ever. "You look at this," said Bo, "and that's what made what we did in '54 so special."

What the Indians did was win a record 111 games. They finished eight games in front of the Yankees, 17 in front of the White Sox, 42 games ahead of the rest of the teams in the American League. "We played the Yankees 22 times and split 11-11," said Bo. "It was a great Yankees team. But our pitching was so good, so deep, we were hardly ever out of a game. We won 111, but if you check the scores, we had a chance to win close to 150. That's how dominant we were. No team ever had deeper pitching." Bo enjoyed rattling off the records: Bob Lemon (23-7), Early Wynn (23-11), Mike Garcia (19-8), Bob Feller (13-3), Art Houtteman (15-7). "In the bullpen," said Bo, "we had Hal Newhouser, a Hall of Famer, and two of the league leaders in saves, Ray Narleski and Don Mossi."

The Indians had a couple of double-digit winning streaks, 11 straight in May, 11 in September. Strickland remembered the last one coming when the Yankees came to Cleveland trailing by 6¤1/2 games. "It was for a Sunday doubleheader," said Bo. "We had to get permission from the league to sell tickets in the center-field bleachers for a stadium with a capacity of more than 80,000. We were pitching two right-handers, Lemon and Wynn, and they were going with two lefties. Thinking of all the white shirts sitting in the bleachers, it would have been smarter on our part if we had sold tickets for the side that would have given our hitters a better background in picking up the flight of the ball against lefties. We did just the opposite. "But you know what? We won both games in front of a record crowd of 86,000. Give the Yankees credit for that."

So how could a team as good as the '54 Indians get swept by the Giants? "We had a lot of respect for the Giants," said Bo. "We must have played them 15 times in spring training out in Arizona. They could do a lot of things -- hit, run and steal. And they had a guy named Willie Mays."

In the opening game at the Polo Grounds in New York, it was Mays, the 23-year-old phenom, who made an immediate impression. "We've got two men on, and Vic Wertz hits it 460 feet to deep center," said Bo. "It would have been a home run in any park except the Polo Grounds. Well, Willie makes the all-time highlight reel with a great catch that stops a big inning for us. Then Dusty Rhodes wins it with a pinch-hit homer in the 10th inning that didn't travel more than 200 feet. A 460-foot out, a 200-foot homer. That's baseball.

"In Game 2, it's Dusty again. He's responsible for all the runs in a 3-1 game, with a single and another chip-shot homer. Then we get to Cleveland, and Garcia loses, 6-2, and Lemon loses, 7-4. Give the Giants credit. Good pitching, timely hitting. Case closed." Strickland always said the best excuse he could offer was winning 111 games.

"After we clinched the pennant more than a week before the season ended, our goal was to beat the record of 110 victories. When we did, I guess we lost something. We went into the Series like a football team favored to win by three touchdowns. But this wasn't football." Getting swept in four games left Strickland with one lasting memory. "The next day I'm at the ball park in Cleveland, all packed, ready to drive back home to New Orleans," he said. "I'm just looking around, killing time, and I walk into this room piled high with stacks of programs to Game 5. Could have taken as many as I wanted. I always regretted not taking one." 

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